Top-100 artists:
We use our proprietary AI - LiveArt Estimate™ to calculate current market value for each artwork. Based on this data LiveArt is able to provide numerous insights into artist and artwork financial performance, including:
See the measure of artist investment performance relative to risk. A higher ratio suggests better risk-adjusted returns, indicating more consistent performance with less risk.
Explore the most prolific periods in an artist's career based on artwork production volume and current market value. It also segments these periods by category, offering insights into when the most valuable pieces were created in each category.
Free to sign up. No credit card required.
| Image | Last Sale Date | Title | Edition No. | Last Sale | Last Sale Auction House | Last Sale Location | |
|---|---|---|---|---|---|---|---|
| Oct 1, 2020 | UNTITLED FILM STILL #84 | Sotheby's | New York | ||||
| May 10, 2012 | Untitled Film Still #84 | 10 | Sotheby's | New York | |||
| Nov 16, 2006 | Film still No.84 | Christie's | New York | ||||
photographs
19.1 x 23.8 cm (7.5 x 9.38 in)
gelatin silver print
Metro Pictures, New York
Sandroni.Rey, Los Angeles, circa 2001
Amanda Cruz, Elizabeth A. T. Smith, and Amelia Jones, Cindy Sherman: Retrospective (Chicago: Museum of Contemporary Art; and Los Angeles: The Museum of Contemporary Art, 1997), pl. 11, p. 60
Cindy Sherman: The Complete Untitled Film Stills (New York: The Museum of Modern Art, 2003), p. 117
Cindy Sherman (Paris: Jeu de Paume, 2006), pp. 37 and 245
Eva Respini, Cindy Sherman (New York: The Museum of Modern Art, 2012), pl. 73, p. 118
Paul Moorhouse, Cindy Sherman (London: National Portrait Gallery, 2019), p. 65
Jeff L. Rosenheim, Photography's Last Century: The Ann Tenenbaum and Thomas H. Lee Collection (New York: The Metropolitan Museum of Art, 2020), fig. 30
igned, dated, and editioned '8/10' and with annotations '84' and '6 [circled]' in pencil on the reverse, framed, a Metro Pictures label on the reverse
